Time of the Writer



Poetry Africa

The 33rd edition of the Durban International Film Festival, with principal funding from the National Lottery Distribution Trust Fund, announced its award-winners, prior to the closing film. Winner of the Best Feature Film award, Love (Amour) was applauded by the International Jury as “unmissable”, and the film’s director Michael Haneke, as a “contemporary master with an astute understanding of his cinematic world”. The Best Feature Film award carries a cash prize of R50 000.

The international Jury which comprised Zimbabwean filmmaker and novelist Tsitsi Dangarembga, hot South African director Oliver Hermanus, producer and television presenter Kgomotso Matsunyane, and Canadian producer and director Peter Wintonick, also awarded the Best First Feature Film prize (R20 000) to Australian director Julia Leigh for Sleeping Beauty.


Animation Film wins best SA prize

Receiving a cash prize of R30 000, the Best South African Feature Film was awarded to Adventures in Zambezia (South Africa), directed by Wayne Thornley. Of the large number of South African films screened this year, the jury’s unanimous voice lauded this film as one with “strong writing and direction, and beautiful animation infused with the spirit of the continent…” and one that “tells an African story from an African perspective while having clear global appeal”.

The Amnesty International Durban Human Rights Award, with a prize of € 2,500, went to Malika Zouhali-Worral and Katherine Fairfax Wright’s film Call Me Kuchu which focuses on attacks on gay people in Uganda.

A total attendance of 31,012 was recorded, including workshop and seminar programmes – 1,500 up on 2011 figures.

Says DIFF Director, Peter Rorvik: “Feedback has been very positive, from filmmakers and public alike. The selection of films has drawn good responses, and we were particularly pleased with the increased line-up of South African films this year. The French Focus went well, while the Wavescape component and the schools screenings were as popular as ever. Moving the festival hub and industry programmes to the beachfront was well-received and the success of the Durban FilmMart and Talent Campus is a good indicator of industry development both locally and across the continent.  Congratulations to the award-winners, thank you to the juries and also the audience for voting in the audience awards. Special thanks to the National Lottery Distribution Trust Fund, the National Film and Video Foundation and the KwaZulu-Natal Department of Economic Development and Tourism and other funders and partners.“

The full list of awards is:

Best Film: Love (Amour) (France, Austria, Germany), directed by Michael Haneke

“Michael Haneke is undoubtedly a contemporary master with an astute understanding of his cinematic world. Amour is a simple, universal, beautiful and emotional film, tackling a subject most other filmmakers avoid – old age and death. His craftsmanship is unmatched. His collaboration with his two key performers, Emmanuelle Riva and Jean-Louis Trintignant, is an exercise in artistic brilliance. This is an unmissable film; a gift.”


Best South African Feature Film: Adventures in Zambezia (South Africa), directed by Wayne Thornley 

“We were particularly impressed with the large number of South African films that were screened this year. Of the several strong contenders, we were unanimous in choosing Adventures in Zambezia as the best South African film. With strong writing and direction, and beautiful animation infused with the spirit of the continent, it tells an African story from an African perspective while having clear global appeal. In the process, it challenges the dominant animation studios on their own turf, and shows that the South African film industry can produce universally accessible world class cinema without sacrificing its own identity.”


Best First Feature Film: Sleeping Beauty (Australia), directed by Julia Leigh

“Sleeping Beauty is a tour de force. Julia Leigh, in her first directorial efforts, has announced herself as a talent of the future. This ground-breaking, provocative, and arresting film explores society’s obsession with beauty. This was a film that stayed with the jury’s collective mind, from the very beginning. Leigh unifies all the creative elements in perfect harmony, which makes for an excellent, unforgettable cinematic experience.” 


Best Director: Benh Zeitlin for Beasts Of The Southern Wild (USA)

“A true director demonstrates the perfect marriage of content and creativity. This is an unforgettable cinematic feast of energy, emotion and magic realism. The direction is assured, appropriate and intelligent. Styled in an organic, visceral mix of images and dreams, Zeitlin’s direction is as impressive as it is resonant.”


Best Actress: Deanie Ip in A Simple Life (Tao Jie) (Hong Kong SAR China)

“For her diverse and emotive interpretation of Ah Tao, a 70-year-old Hong Kong maid who suffers a stroke and moves into a nursing home, Deanie Ip delivers an outstanding, endearing, evocative and under-stated performance. Her sensitive portrayal is truly moving and authentic.” 


Best Actor: Joseph Wairimu in Nairobi Half Life (Kenya, Germany) 

“From the very opening moments of Nairobi Half Life, actor Joseph Wairimu charms us with his endearing characterization of Mwas. His role as a young actor who tries to resist becoming a reluctant hustler, transcends both comedy and drama. His performance embodies the hunger of Kenyan youth hoping to carve out better lives for themselves.”


Best Cinematography: Gökhan Tiryaki for Once Upon A Time In Anatolia (Bir Zamanlar Anadolu’da) (Bosnia and Herzegovina, Turkey)

“From the opening shot until the very last frame, Gökhan Tiryaki’s controlled and deliberate cinematography uses attention to details, lighting and framing to enhance this very meditative film about life and death. His unobtrusive camerawork and naturalist lighting constructions make this film’s journey increasingly haunting.”


Best Screenplay: Ercan Kesal, Ercan Ceylan and Nuri Bilge Ceylan for Once Upon A Time In Anatolia (Bir Zamanlar Anadolu’da) (Bosnia and Herzegovina, Turkey)

“…a truly original, unpredictable, and philosophical exploration. The quiet release of the narrative demonstrates an assured sense of control and vision. A film that debates fundamental human principles, Once Upon A Time in Anatolia is a rare piece of cinematic storytelling.”


Special Jury Mention Feature Film: Goodbye (Be Omid E Didar) (Iran), directed by Mohammad Rasoulof

“Every filmmaking country has a responsibly to address the disturbing and continuing issue of censorship and control when it comes to the expression of life through cinema. Mohammad Rasoulof’s Iranian film Goodbye (Be Omid E Didar) is a brave work that reminds us that there are still too many countries that mute the voices and visions of artists. We can never take freedom of expression for granted no matter where we live. Mohammad Rasoulof has made a haunting film to show us the length that governments can go to extinguish the voices of its people.” 


Best Documentary: 5 Broken Cameras (Palestinian Territories, France, Israel, The Netherlands), directed by Emad Burnat and Guy Davidi 

“…for its emotional impact and power in making the political personal, and for taking us so intimately into a community’s lives.” 


Best South African Documentary: The African Cypher (South Africa), directed by Bryan Little

“…for conveying the energy and creativity of young people across South Africa today.”


Special Jury Mention Documentary: Calvet (Costa Rica, France, Nicaragua, United Kingdom, United States), directed by Dominic Allan

…for being a reminder of the transformative power of art, both in terms of its subject matter and form.”


Best Short Film: The Bird Spider (La Migala) (Spain), directed by Jaime Dezcallar

“A subtly nuanced and poetic take on the fear and pain of loss that brings metaphor powerfully to life.”


Best South African Short Film: Doppelganger (South Africa), directed by Joshua Rous

“This South African short exemplifies visceral camera work, high production value, and an innovative take on an established plot device.”


Amnesty International Durban Human Rights Award: Call Me Kuchu (USA), directed by Malika Zouhali-Worral and Katherine Fairfax Wright

“At a time when many gay people live under threat of attack, the Amnesty International jurors chose to give the 2012 Human Rights Award to the filmmakers of Call me Kuchu. This film has the potential to travel globally. In particular, it can be used in the African region to inform, encourage discussion, and support campaigns against hate crimes, and especially by defenders of the human rights and freedoms of LGBTI people. It is one of only a handful of current films in circulation on this vital human rights issue.”


DIFF Wavescape Film Festival Audience Award: The Art of Flight (USA), directed by Curt Morgan


DIFF Documentary Audience Award: Searching for Sugarman (Sweden, United Kingdom), directed by Malik Bendjellou


DIFF Feature Film Audience Award: The Lady (France, United Kingdom), directed by Luc Besson



The International Jury of Tsitsi Dangarembga (Zimbabwean filmmaker and novelist), Oliver Hermanus South African director), Kgomotso Matsunyane (South African director, producer and television presenter), and Peter Wintonick (Canadian producer and director), awarded prizes to fiction feature films for the following  categories: Best Feature Film Best First Feature Film; Best Direction; Best Cinematography; Best Screenplay; Best Actor; Best Actress.

Best South African Feature Film Award Jury: Junaid Ahmed (Director and Producer, Fineline Productions), Peter Machen (Journalist and Film Critic) and Madoda Ncayiyana (Director and Producer, Vuleka Productions).

Best Documentary and Best South African Documentary Jury:  Lindiwe Dovey (director of the Film Afrika festival and academic at SOAS, University of London), Rosie Motene (television presenter, actress) and Robbie Thorpe (director and producer, Rififi Pictures).

Best Short Film and Best South African Short Film Jury: Tiny Mungwe (filmmaker, project coordinator, Durban FilmMart), Darren Murray (Producer, Collective Film and Video), Zandile Tembe (radio journalist, Ukhozi FM).

Amnesty International Durban Human Rights Award Jury:  Hylton Alcock (producer, Catch a Fire Production), Anita Khana (producer, Uhuru Productions), Nonhlanhla Mkhize (director, Durban Gay and Lesbian Centre), Liz Palmer and Coral Vinsen (Amnesty International Durban).

The 33rd Durban International Film Festival was organised by the Centre For Creative Arts (University of KwaZulu-Natal) with support by the National Lottery Distribution Trust Fund (principal funder), National Film and Video Foundation, KwaZulu-Natal Department of Economic Development and Tourism, HIVOS, City of Durban, German Embassy in South Africa, Goethe Institut of South Africa, Industrial Development Corporation, KwaZulu-Natal Department of Arts and Culture, France-South Africa Seasons 2012-2013, and a range of other valued partners.

Centre for Creative Arts (University of KwaZulu-Natal)

Tel no: +27 (0)31 260 2506

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